Sunday, March 29, 2009

Fortune's The Best Advice I Ever Got Review: Audio Successories


I know that Successories has plenty of haters, but I must confess: I can't get enough of them. The photos of bald eagles soaring through blue skies, rowers slicing through still waters at dawn, the aphorisms beneath powerful nouns like "leadership" and "teamwork"—love them all.

It probably helps that I don't work in an office environment, so the wide gulf between what the posters encourage what actually happens doesn't seem so exasperating. Certainly, that would help explain the popularity of Despair.com—one of my favorite posters of theirs is "You can't spell failure without a U R A.

But I digress. The reason I bring it up is that there was never really a podcast that epitomized the Successories mindset—until now. Fortune magazine's The Best Advice I Ever Got podcast very nearly fits the bill.

The bite-sized podcasts—usually about a minute or so—feature execs sharing pithy sayings about how they got to where they are today, usually along the lines of working harder, believing in others, or focusing on their strengths. It's fairly slickly produced, and has improved in recent episodes, with a few career highlights displayed before the speaker enters the scene.

To be sure, the insights shared here are not so detailed and profound that you'll be able to draw a straight line between your crummy cubicle and the corner office. But they're easy to watch, there's a catchy intro, and it's a fun concept. Other business publications might want to take their cue from Fortune and include some lighter fare on their podcast menus.

If you're looking for the tiny burst of motivation to finish up that last TPS report, The Best Advice I Ever Got may be the jump start you need.

Thursday, March 26, 2009

Starter Podcasts: At the Airport Gate


Picking the right podcast in a given situation is as delicate a task as choosing the right music for a party. And while waiting for your flight at the airport is the ideal time to burn through a few episodes, don't bother lining up your iTunes U philosophy class podcast or that hour-long show on refinancing your house.

Nope, at the airport gate you need something that will entertain you, that will distract you from all the annoying people you're sitting next to, and that won't engross you so much that you miss your boarding call. It's got to be something short so you can finish watching it before you get on the plane and have to turn off your electronic devices. And it's best if the podcasts are timeless. That way, you can download a good 20 or 30 episodes and watch them now—or a couple weeks later—without feeling like it's just old news.

Here are five that always make my list when I'm headed on a trip.

  1. The Onion Radio News (audio) [My review here.]
  2. The New Yorker Animated Cartoons (video) [My review here]. 
  3. Best of YouTube (video) [My review here.]
  4. 60-Second Psych (audio) [My review here.]
  5. Dilbert Animated Cartoons (video) [Tragically unreviewed. It's rad, though. Trust me.]

Are there any podcasts you download specifically for traveling?

OMG, No WWII?


Well, this shouldn't provoke any outrage at all.

According to a recent story in the Guardian, if a new proposed curriculum gets passed, primary school students wouldn't have to learn about the Victorians or World War II.

What replaces those topics?

Children [should] leave primary school familiar with blogging, podcasts, Wikipedia and Twitter as sources of information and forms of communication. They must gain "fluency" in handwriting and keyboard skills, and learn how to use a spellchecker alongside how to spell.
The Guardian, 3.25.09

I'm all about encouraging the use of podcasting and other technologies, though replacing history lessons to do so seems unwise at best, at least from a political standpoint. Maybe I'm being too harsh, though: thanks to Twitter, they'll only have 140 characters to communicate their ignorance anyway.

Wednesday, March 25, 2009

Q+A: David Plotz, Slate Political Gabfest (+ Book Giveaway!)


A couple weeks ago, Slate editor David Plotz was in Minneapolis to promote Good Book, his new book about reading the bible from cover to cover. (Read to the end of the interview to find out how you can win a signed copy.) As a loyal listener to Slate’s Political Gabfest podcast—you can read my review here—I was eager to get him to talk about his role on the podcast.

Between 40,000 and 60,000 tune into the show every week, and it’s the most popular podcast for the online publication. According to Plotz, about a million Slate podcasts are downloaded each month.


We met in downtown Minneapolis on a snowy late-winter afternoon to talk about why he believes Gabfest listeners are worth 100 typical Slate readers, the challenges of a turning a profit on popular podcasts, and how journalists are going to have to adapt to a new-media environment. He also talked about an intriguing future giveaway on the show.

An excerpt of our conversation is below.

When and why did you start the podcast?
About three years ago. It was just something to try—it wasn’t intended to be me and John [Dickerson] and Emily [Bazelon] doing it. It was going to be a bunch of different lineups. Gradually, because we were all in the Washington office and were very good friends, it all gelled, but it took a while. There was a period of time, six months or something, when it was just a lot of different people doing it.

Can you talk about developing the tone of the show?

None of us, except John, were real aficionados of the talk shows or the cable chat shows. Insofar as we knew them, they seemed removed from the actual conversations that journalists really had.

We thought that the podcast would be a way to present some of that inner life of Slate to an audience. We are produced by Andy Bowers, who is a creator of podcasts. He was an NPR guy for 20 years. He understood, in a way we didn’t, the way people connect to voices. They make emotional connections. We thought it was like writing an article. We didn’t recognize that we were forming a bond with listeners. Gradually, over the last couple of years, we’ve realized that we are in a relationship with the people who listen to us. It’s been incredibly rewarding for all of us. We love to do it. I think it’s because it was a sense that we are actually communicating with people who love Slate and love what we do, and reaching them in a way that they really like.

The audience for podcast is much smaller for the audience for Slate—than an article we would write. On the other hand, it’s people who really love [Slate] and really want to be with it. Those are the best people to be talking to.


When did you realize that the podcast was getting really popular?

It’s been a gradual dawning realization. Over the course of the political campaign it really hit us. We did a [contest] where we decided that we needed a slogan. We asked for listeners to submit a slogan, and we got hundreds of entries. We realized this is a really great crowd. It was like oh, for every person who writes in, there are 10 or 100 who aren’t.


In the course of our lives, John, Emily, and I all have had occasions to do public appearances. We noticed that when we did public appearances that invariably the most fervent people at those public appearances, the people who’d come up and talk to us afterwards, were [Gabfest listeners]. We’d see them in Washington, but beyond that, in Chicago or Seattle or whatever, the same thing would happen. Even if that number, compared to to the size of the audience, is not huge, these are people who matter and want to be wih us. They are a great audience so we want to meet them .


Can you talk about some of your more memorable episodes?

I think that by far the most beloved parts of the podcast have been the parts where we’ve gone off script. It's pretty formatted. But sometimes things wander off. There was one memorable occasion where we’d finished the show, and Bill Smee, who was producing it, turned to Emily right as we finished and said "I can’t believe you said that about John Edwards [with regard to his affair]."

I think all of us realized about five minutes into the shouting that this was good. We’re glad that the tape is running. It was completely spontaneous. Emily was dismayed because she was cursing insanely. She didn’t really want everyone knowing how much she curses. I think people loved that connection. They loved seeing the sausage getting made.

It’s real. People feel like they know you.

I deeply, deeply, deeply value the emotional connection that we make with this audience. They are so smart. They are so engaged. I think for us, as a business, which we are first and foremost, being in touch with that audience [is important]. One pocast listener is worth 100 random other people, just because they will stick with us. They care what we say.

We're sponsored by Audible.com, so one thing we're probably going to do is record [Good Book] in house. We'll make it available [through Audible]—we'll give it to anyone who's a podcast listener—just as a little freebie. We haven't realized it, but this is our basic notion.

It must be nice to have a company like Audible on board.

One of the frustrations we had for a long time is that we sold really crummy ads against [the podcast]. It was all done through some service. We just thought: this is bogus. This is ridiculous. These are educated people, there are a good number [of them], and these are people who buy stuff. They have money and they like us and it’s insane that we don’t monetize that. [During one podcast] we said, look, we need an advertiser. Are you an advertiser? Come contact us. That got a great response. What happened was that galvanized our ad salespeople to get Audible on board.


Right. And as a part of every podcast, you guys talk about books you’re listening to through Audible.

As you know, the always-porous barrier between editorial and advertising is more and more porous. One thing we're working with, which I’m loving, is finding ways for us to sell what we are doing. I’m sure there are lines which I would find uncomfortable, but right now I feel like we are endorsing a product. It’s a product that we all use and we all like, and we’re glad to talk about it. Not only is there no shame in it, but given the environment, it's something that people have to do. I think all journalists are getting accustomed to the idea that there is no Olympian detachment in the business they work anymore. We have to do this. Our work is a business. I’m acutely conscious of this since I’m the editor, moreso, perhaps, than Emily and John are. We have to be willing to sell. If we don’t sell, we don’t have jobs. In the world we’re working, that’s one reason why I’m actively enjoying that our sponsorship is for that.


There are a lot of models out there right now for making money on podcasts: subscriptions, advertising, donations. Will you be making an Ira-Glass-style appeal for donors?

My publisher said we can’t do that, because we’re for-profit. It's different when you are not-for-profit. When you are not-for-profit, I think people think you can [ask for donations]. I’m not sure if they would resent having a tip jar. But I would like that tip jar.

I’d definitely chip in. Thanks, David.


*** Want to win a SIGNED COPY of David Plotz's new book, Good Book? Leave a comment by 3/31/09. I'll pick my favorite and mail the winner a copy. ***

Monday, March 23, 2009

Radio Active


National Public Radio hasn't had a history of being cutting edge, but a story in April's issue of Fast Company magazine suggests that these days, it's making all the right moves. Its bold move into digital media has been an unqualified success: some 14 million podcasts are downloaded each month.

Here's an excerpt from the feature, written by Anya Kamenetz:

[NPR] was the first mainstream-media organization to enter podcasting and often has several programs in the iTunes top 10. An open platform introduced last year allows listeners to mix their own podcasts and play around with NPR content—one fan built an NPR iPhone app.
Podcasts are just one of several digital methods they're using to connect with listeners, but it appears that it's the most popular.

And the results speak for themselves: newspapers, which have mostly resisted new media, have shed 11.4 percent of its audience in the past decade. NPR's audience has bounced up an impressive 95.6 percent. Its podcast audience is just the sort of youthful demographic they're hoping to appeal to: while the average radio listener is 49, the median age of a podcast listeneris 33.

The story certainly speaks to my experience: I'll be 33 in a few months, and I listen to NPR stories constantly—but almost never on the radio. Being able to mix my public radio podcasts the way DJs mix music is delightful—I can listen to whatever I want whenever I want, and it's what keeps me coming back. If only other media companies would take NPR's cue.

Old Time Radio Thrillers Review: Good Guys, Bad Guys, and Murder


There's no question about it: life can get pretty mundane. Want proof? A guy who sends a Twitter update each time (and only when) he finishes a load of laundry has 508 followers. 

So occasionally, it's nice to wedge a little drama into a day. Maybe even a little melodrama. 

And that's where a show like Old Time Radio Thrillers comes in. The 20-to 45-minute podcast, which features real radio stories from the ’30s through the ’50s, is fantastic on several different levels. First, there's the old-timey organ music that will make you think, for a moment, that you're in a ballpark. There are the outrageous stories of murder, ghosts, and wildly elaborate schemes to get away with million-dollar crimes. And there's the delightful overacting, in which lines like "A little thing like death isn't going to stop her," are said without irony.

There are the good guys who solve puzzling cases of murder in 30 minutes or less, bad guys who quickly admit that they've been outsmarted by their brainy counterparts, and women who sit on the sidelines, doing little of the sleuthing—but asking the well-timed questions that help our hero get to the bottom of the mystery. Old Time Radio Thrillers is Scooby-Doo without the dogs and the Mystery Machine.

These are delicious stories if you're looking for some clarity—you're ready to see well delineated heroes and villains, you want a story neatly tied up in a bow at the end, and you want justice to be done. And the storytelling—no matter how unbelievable—is always riveting.

Still not convinced? Well, then I might have an excellent Twitter feed for you to follow.

Friday, March 20, 2009

How To Download A Podcast (Foolproof Instructions!)



You've heard a lot about podcasts. Maybe you've even considered testing them out, but you're not quite sure how it all works, and it seems just a bit too daunting. Fear not. Here's a step-by-step guide to downloading anything from that Hume philosophy lecture to Adam Carolla's latest monologue on bachelor parties.

1. Go to the iTunes store on iTunes. Yep, that's where you buy all the other stuff you listen to on your iPod.

2. Click on "Podcasts." You'll find it in the upper left corner.

3. Click on any of the podcast icons or names. They're organized in several ways, including by category, company, and popularity. You usually can't lose by picking something that looks interesting on the "top podcasts" list on the right side.

4. Once you're on a show's page, scroll to the bottom and click on any of the "get episode" buttons on the right side. If you're really confident that you're going to love a podcast, go ahead and click "subscribe" next to the image at the top left. The difference? With a subscription, you'll automatically receive any new podcasts that are uploaded from that point on.

5. Sync your iPod. 

6. Make sure your podcasts are being updated. When you connect your iPod to sync it, your iPod will show up under its own "Device" category on the left side of iTunes. Click on it. Then go to the top of the screen, where you will see a number of tabs, including the podcasts tab. Click on it. Click on "Sync All" of "All Podcasts." Then hit "Apply" again on the bottom right corner.

7. Find your podcast. On an iPhone or iPod touch, click on the iPod button. Then click on "More" at the bottom right to get more options. Podcasts should be on the expanded list. Click on that and you should see the podcast(s) you just downloaded. On other iPods, you may find podcasts under the music or extras category. Select the show you want to listen to, and select the episode from that show, (if you downloaded more than one).

8. Listen!

I'm no tech writer, so if you see an error, please let me know. But this should give even the most fearful iTunes user all the info needed to start listening to podcasts. Enjoy!

Thursday, March 19, 2009

New Podcast Features in iPhone 3.0



This great update from MobileCrunch includes information on some new podcast-only features that will included in the latest iPhone operating system coming out in a few months, including:

• No repeat/shuffle buttons
• Mail podcast links
• Instant 30-second rewind
• Speed modifier so you can listen twice (or half) as fast.
• Variable speed scrubbing, which makes it easier to jump to exactly the right spot in a podcast.

My two complaints? No bookmarking, and no improved podcast descriptions. Otherwise, I'm excited about all of these, especially the speed modifier. I suspect these will probably make their way to the iPod touch, too.

Wednesday, March 18, 2009

Q+A: Dani McKinney, SUNY Fredonia


There’s no question that a good professor can make a huge impact in the life of a student. But a good podcast might be just as—if not more—effective at helping that student ace a test.

In a thought-provoking study titled “iTunes University and the Classroom: Can Podcasts Replace Professors?” (published in Computers and Education), the research of psychology professors Dani McKinney, Jennifer Dyck, and graduate student Elise Luber suggests that in some cases, podcasts can help students learn more than they might in an in-person lecture. I wrote about it briefly here, and you can read a summary of the research in New Scientist.

Though it was a small study, and the researchers are quick to point out that more studies need to be done, it does suggest that podcasts can play an important role in helping students learn. The study’s lead author, Dani McKinney, agreed to answer a few questions for Atomic Podcasts about how the results surprised her—and what students and professors should take away from the research.

Why did this topic interest you?



I have been interested in best practices in teaching for awhile. I was wondering how students would use new media types to enhance their learning. I thought iTunes U was a great new tool, and I wondered how it would be used.



What sort of results did you think you might get? Were you 
surprised by what you found?

I thought we would get the typical result: those who were IN THE CLASS would perform best. It never pays to miss class (in my opinion). But I wondered if we would see similar results as we do when students get notes from a friend (typically about a 10-15% drop in performance based on using someone else's notes). When we got our results, I was amazed. So, we started looking closer at the data, and it was in looking at ALL the data, including the survey information, that we found some good rationale. It wasn't just HAVING the podcast, or even just listening to it. It was those who treated the session as if they were in the classroom setting who performed better.

In a lot of ways, in-person lectures are great. You can ask 
questions, you can ask the person next to you if you missed 
something, and you don't have to worry that a tech glitch or dead 
battery will keep you from seeing the lecture. What are the primary 
advantages of podcasts over in-person lectures?



Well, the glitch issue might happen using any media. So, if that were to happen, no one would get a copy of that day’s lecture (unless the professor wanted to retape it or something). But once the lecture is recorded, it can be downloaded onto your desktop computer, it can be loaded onto your portable mp3 player, burned onto a CD, etc. The lecture can be truly portable! If the lecture is recorded during a real class, you can hear other student's questions, and if you have questions later, you can always email the professor. In general, I feel that lots of times students have questions but in a big lecture setting they don't raise their hands, anyway. They rely on others to be brave. In some ways, e-mail has really changed that whole area already—I get many more emails per day from students than I ever used to, and I don't think they have any more questions than they ever had. I just think they have a safer way to ask, a more private and one-on-one way.

 The main advantage of a podcast will come when people use it to clear up parts of a lecture that may have been too fast for them, or times when they missed something. It could also be used to replay parts you would like to hear again to help you study. I think these uses are excellent even for students who attended class that day.





You mention in your conclusion that you don't think the results of 
the study suggest that podcasts should replace professors, but I'm 
wondering if you could talk about some of the general implications of 
the study—and what you hope students and professors will take away 
from it. 



I think it tells us a lot about the various ways students study, and encode information. Some people like to hear things over and over and that helps them. Now those students would have a chance to hear things again. I think it is awesome for students who missed a class. They now have a chance to decide for themselves what notes to take instead of relying on a friend's notes, which may or may not be in a similar style to their own. One student may write something down as important, and another student may miss it altogether, or they may not write it down because they already know that stuff. When your give your notes to a friend, those were YOUR notes that you took in your own style. So, now students would have a chance to decide for themselves what they need to take down to study from.




Outside of the study, what is your general sense of professors’ feelings about teaching and learning via podcast? Is this something 
they're eager to get involved in? Reluctant? Resistant because of the 
perceived challenges inherent in new technology?



I think that professors are as different as students—some embrace new technology and will use it in ways to teach things we never could before. Now almost every classroom has a DVD player, and we show clips of things. Ten years ago, that was something you had to plan way ahead of time and order a TV and VCR to be delivered. Now, if I decide the night before that something on the news is relevant to my class, I can tape it and bring it in. How amazing is that?! Other professors may use this as a way to get students more information than a typical class period could allow. Some may tape a podcast of a section that they won't have time to cover, and that will free up class time for cool activities. 

I think some professors do not want to add these kinds of things to their classes. They may find it distracting, or they are unsure how to use it well, and so they would prefer just to lecture and have group discussions. I think different classes lend themselves to different approaches. So, just as we have different learning styles, we see different teaching styles.



Tuesday, March 17, 2009

Transcribed: The Trouble With Rules


How do we learn the right way to behave in a given situation? The first rule, says TED Talks speaker and psychologist Barry Schwartz, is to stop trying to figure out the rules.

"[NPR's] Scott Simon said, 'Rules and procedure may be dumb, but they spare you from thinking.' "


The people who tend to be best at their jobs or roles add another component: the wisdom that comes with experience and an understanding of the circumstances around them. His fascinating lecture, offered via podcast, shares some telling examples of the ways that people circumvent rules—and actually become better at their work.

I listened to this some time ago, but it makes me think of all the AIG execs demanding their millions in bonuses. Yes, the rules suggest they are owed their bonuses. But if they were wise, perhaps they might offer to sacrifice them.

Sunday, March 15, 2009

New Yorker Out Loud Review: The No-Guilt New Yorker


Few know such angst as the New Yorker reader. So much great journalism! So little time.

While it's basically impossible to read the entire issue in any given week, people still hang on to them for months—years!—with their shame growing proportionally to the height of the magazine stack on their nightstand.

I was finally able to circumvent this agony when a friend told me that he got rid of an issue as soon as he had read at least one story in it. Maybe it was the one-page Shouts & Murmurs, maybe it was a two-page book review, maybe it was the 12-page masterpiece on Bosnia. (Yeah, mostly it was Shouts & Murmurs.) That rule, which I have accepted as my own, has saved me a great deal of heartache over the past few years.

Now I have an even better rule: I can get rid of a New Yorker without even cracking the cover—as long as I listen to the New Yorker Out Loud podcast with the magazine's online editor, Blake Eskin.

Eskin conducts a 10- to 15-minute interview with one story's author each week. It might be music critic Sasha Frere-Jones on singer Lily Allen, author Zadie Smith on the role of comedy in her family, or Bruce McCall on cartooning. The interviews define the broad outlines of the story, offer a few details that didn't make the story, and often make you want to read the whole thing—even if you were pretty sure beforehand that you were not interested in the world of lesbian separatists in the 1970s.

Eskin is an adept interviewer, always keeping the spotlight on the interviewee, not himself. And he's often able to draw out just a bit more than the story reveals on the pages of the magazine, which ultimately makes reading the story more enjoyable. (Did I think that I cared about Lily Allen from the hundreds of posts by Perez Hilton? No. After listening to Sasha Frere-Jones discuss her—and the perils of fame—in his recent Out Loud interview? Definitely. It was the only story I read that week. And at least now I can identify a couple songs she wrote, thanks to the clips on the podcast.)

It's lovely to hear authors behind the bylines, to get a sense of their writing and researching process, and to realize that you might not have to fear striking up a conversation with them at a dinner party. (It's hard not to love author Donald Barthelme and critic Louis Menand when you hear Menand tell a story about the time they met at a party and Barthelme asked him, "If could steal one thing in this apartment, what would it be?")

Out Loud also catalogs the major stories in the New Yorker that week, but the best part is that it's a guide. You might hear that Katherine Boo has a story that week (in which case: carve out two hours of time NOW so you can read it), but you might just decide that the story being profiled is the one thing you want to put on your New Yorker to-do list for the week.

That, in itself, will save you an awful lot of suffering. And any podcast that can do that should be at the top of your download list.

Friday, March 13, 2009

Leading Questions


A lot of podcasts that I listen to are like trailers for a movie—they just give you a taste of the much longer story. BusinessWeek's Behind the Cover, the New Yorker's Out Loud, and the New York Times' Front Page are just a few examples. 

Yesterday I was listening to an episode of the Wall Street Jounal's Watching Your Wallet (about using tools like Facebook to earn some cash), and I was intrigued enough to check out the story it was based on.

Is the role of a company-backed podcast (like the ones I listed above) to give you the full story? Or push you to their magazine/newspaper/website?

Thursday, March 12, 2009

A Podcast-Friendly Shuffle?


Up until now, it's been a pain to listen to podcasts on the iPod shuffle, since they needed to be synced on an episode-by-episode basis.

According to Jeremy Horwitz of iLounge, that's been fixed on the snazzy new version:

Though the prior-generation model was capable of playing individually synchronized podcasts, the new iPod shuffle supports sequential audio podcast synchronization—it can automatically synchronize a series of podcasts, rather than just specific episodes. To that end, it now has an iTunes tab for podcasts, unlike the prior-generation model. This feature will appear in iTunes 8.1, due out in very short order. 

Though there are other plenty of other features that people may find exasperating about the latest tiny addition to the iPod line (the robot voice, for one), uploading a slew of new podcasts won't be one of them. To read Horwitz's top 10 changes to the new shuffle, click here.

Wednesday, March 11, 2009

Q+A: Meg Allan Cole, Threadbanger (Décor It Yourself)


There's no question about it: we've entered a do-it-yourself economy. And while a lot of us are buying crockpots and brewing our own cup of joe, the DIY mindset doesn't stop at food and beverages: with the help of Threadbanger podcasts you'll find DIY room ideas, clothes, and parties—among other things.

But to be clear: these are not the projects you'll find in your mom's craft magazines. These are crafts that will earn you cred with your hipster friends. (Create ballots for your 2010 Oscar party that include authentic wax seals! Find ironic uses for wood-grain contact paper!) You can read my original review here.

I am not a DIYer by any stretch of the imagination, but I watch Threadbanger podcasts because they're hilarious. (Meg Allan Cole, host of Wednesday's Décor It Yourself shows, recently lamented the state of the world today by splitting a single bean in half with a knife and fork to share it with her dog.) If I ever become a crafter, I'll know right where to start.

To find out more about the Threadbanger shows, Atomic Podcasts talked to Meg Allan Cole. She shared her thoughts about how she got started, the role of "weird projects" on the show, and the DIY project she's afraid to take on.

How did you get started with the podcast?

Rob and Corinne of Threadbanger interviewed me for their Earth Day show almost two years ago. I have an indie green design company, Enderby Designs, and they found me through that. I showed them my home style blog, Nest (www.EnderbyNest.com) and we really just hit it off. They asked if I would be interested in doing a show of my own, which was amazing. One of my dreams was to create a show and/or periodical based on the idea that style starts at home. Since Threadbanger is the network for people who create their own style, it was the perfect fit. So, with the help of good, generous friends (Dave, Syd, Barret) and my ever-so-patient husband, we got Final Cut Pro, borrowed equipment and learned how to use it all. All the while I was fleshing out the show’s identity and look, shooting a pilot, and trying to convince a network to support this. Thus, Décor It Yourself was born. Rob and Corinne have totally held my hand, had my back, and championed the show every step of the way.

A lot of media these days is talking about a return to thrift—for which a DIY show seems to be poised to do very well. What are your thoughts on the economy and DIY?

There hasn’t been a better time for this movement than now. DIY and thrifting makes it possible to take your individual style into your own hands, regardless of your budget or location. There is a growing community of people who have been earth friendly and DIY for a long time. Perhaps the one silver lining of the economic crisis is that it will broaden this community to a larger demographic. Some of my favorite DIY sources are (obviously) Threadbanger, Etsy’s Storque, Craft:Zine, Make:Zine, and RIP Domino magazine. I also read a ridiculous amount of design blogs like Design*Sponge, Door Sixteen, Apartment Therapy, A Cup of Jo. The list goes on. I have a whole list of inspiring and helpful links on the right column of Nest.

It seems like there's very little you guys can't do yourself. Is there anything you'll never try to take on?

There are a few larger-scale DIY projects looming and waiting to be tackled. My husband and I are dying to re-do our floors in our kitchen. We rent, so it’s hard to know how far to go for a temporary home. I am also wary of starting the process of making my time machine.

You guys are all really funny, which is one of the key differences between Threadbanger and a lot of other (very earnest) DIY podcasts. Do you think you get a different kind of audience as a result?

Aww, thanks. One of the coolest things about Threadbanger and Next New Networks, is that they let us push the envelope and be a little crazy. Some of the weirder ideas I’ve had, that I thought would just be nixed immediately, Rob and Corinne were the most enthusiastic about. Having the people you work with be open to the nuttier ideas you bring to the table is key.

You get a lot of enthusiastic DIYers contributing to your show. Some projects = awesome. Others, I'm sure, not so much. Do you have any examples of projects that you opted not to put on the show?

Of course there are projects that aren’t exactly my aesthetic, but I am genuinely excited about each and every piece our viewers make and love seeing the range of style and perspective the community has. Sometimes the weirder a project is, the likelier it is to be featured in one of the shows or blog.

What podcasts do you like listening to when you're not working on creating your own?

I think Backyard FX and Best Short Films in the World on Indy Mogul are frackin’ rad. And I am pretty obsessed with NPR’s This American Life.

Anything else you wanted to mention?

A big thanks and cyberspace high-five to everyone who has supported Threadbanger and Décor It Yourself. We can only do these shows because there are awesome people out there who tune in, subscribe to the show, and keep our community interactive.



Monday, March 9, 2009

Prayer via Podcast?

Now there's no excuse to miss a Sunday sermon: according to a story in Crosswalk.com, churches are increasingly using podcasts and other new media to connect with their congregants:

“We have to have all forms of information,”  [said Grant] Edwards [senior pastor at Fellowship Christian Church]. “We still hand out paper (during services) but we have to have podcasts, too.”

Of course, Edwards still has some technological limits—which currently includes Twitter. 

“I find it a nuisance, because I don’t want to Twitter 12 times a day with people telling me they just had coffee,” Edwards said, managing a chuckle. “I’d rather they pray or read a book. They could be developing a relationship with God.”

Hey, if I can download that relationship via iTunes? I'm totally in.

Sunday, March 8, 2009

Coffee Break Spanish Review: Como Se Dice "A Thousand Thanks"?


Back in high school, I was a pretty reluctant Spanish student. Conjugating verbs, hours of vocabulary, abridged versions of Don Quixote—in a word: yawn. But even more sleep-inducing were the endless scenarios teachers would concoct for us to act out in order to make use of our new language skills. We'd order pretend food from make-believe restaurants, hail non-existent taxis, and admire imaginary paintings in museums that existed only in our heads.

Who were the losers in these scenarios? In my life, there was no flagging down cabs or returning undercooked chicken to the chef. Nope, I was busy filling out college applications, dreaming up ways to wriggle out of band class, and trying to figure out if my friends liked me or were just faking it. These (more realistic) scenes did not make it into the curriculum, if I remember correctly. 

Fast forward 15 years. Now that I take occasional trips to Spanish-speaking destinations, I wish I had paid more attention to those restaurant, cab, and museum scenes, because it turns out that this is a lot of what I actually DO on those vacations. And shouting "Camarero! Problema!" to the unhappy waiter who's been assigned to my table would only cement my reputation as an Ugly American.

And that's where Coffee Break Spanish comes in. I can't speak for people who have never taken the language before, but for people like me, who have a vague knowledge of the language and who want to brush up so they don't embarrass themselves on a trip, it's perfect. Hosts Mark and Kara, who have appealing Scottish accents and a relaxed vibe, guide you through scenarios and teach some vocab and conjugations along the way—without making you feel like you're sitting at home with flash cards. Here's what else I like: the shows are well labeled and organized, so you can pick and choose the lessons you think you might need, and you can wedge a couple of the 15- to 30-minute shows in a lunch hour or commute. I sometimes listen to lessons a couple times over the course of a few days to really get the information in my head—something you can't do in a regular classroom.

I've also become hooked on the catchy little cha-cha-cha intro that appears to encourage people to drink beer during their lesson. (Hey, coffee breaks are different in Scotland than they are here in America.)

I suspect that people who are serious about learning the language would benefit from all the extras that can be found on the website and ordered in their premium version, but if you're just hoping to spend a few hours to learn the key phrases that will get you around a Spanish-speaking country unscathed, I'd highly recommend it. I'm heading to Peru in May, and I've ramped up the lessons so I can order from a menu, hail a cab, and ask a guide at a museum about a painting.

Mil gracias, Coffee Break Spanish.

Thursday, March 5, 2009

Predicting the Winner

I'm not sure what radio's equivalent to the Pulitzer is–the Peabody? No matter what it's called, here's what's going to win it: This American Life's Bad Bank, Act 1. Created with the help of staff from one of my podcast faves, Planet Money, the heavily promoted show helps explain the banking crisis simply, and even senators are talking about it. (Check out the short clip below to see what they've got to say, inarticulately, at 2:23:30.)



Listen to the hour-long show via podcast for free through this weekend. After that, it'll set you back a buck.

Podcast Listeners: Still Freaks and Geeks?

According to eMarketer (via Podcast News), 9 percent of all internet users downloaded at least a podcast a month in 2008.

While eMarketer says this proves that it's a "broad medium with mainstream trappings," I'm not sure single-digit popularity really proves the case. Even if its audience doubles, as eMarketer expects that it will by 2013, it's still a pretty paltry 20 percent or so. One out of five ain't bad—it's terrible.

I'm optimistic that one of these days, something will come along that will make podcast listening easier, more appealing and maybe, just maybe, more popular.


Wednesday, March 4, 2009

Q+A: Monica Reinagel, Nutrition Diva

If you're looking to be scared into eating smarter, go ahead and rent SuperSize Me. If you want your nutritional education to be boiled down into a lesser-of-two-evils format, subscribe to Men's Health for its "Eat This, Not That" feature. But if you're just looking for good nutritional advice backed up by solid research—no gimmicks, no false promises—I highly recommend the Nutrition Diva podcast. 

I test-drove a slew of nutrition and healthy eating podcasts during my New Year's resolution phase in January, and only Nutrition Diva remains on my subscription list. (It also made it onto my list of the five podcasts that are making me healthier, which you can read here.) The bite-sized podcasts are informative without being didactic—and they'll help you understand why that SouthBeachJennyKins diet your friend is on probably isn't going to work long-term.

Nutrition Diva's host, Monica Reinagel, agreed to answer a few questions for Atomic Podcasts. She shared her take on one of the most pervasive nutrition myths, why you don't necessarily have to feel bad when you get an order of fries, and why she's optimistic about the future of nutrition in America.

When and why did you start this podcast?

I started out writing for traditional print media (books, newsletters, etc.) but it was clear to me that all the exciting stuff was happening in new media. Most traditional publishers have been slow to adapt to new technology and it has really hurt authors. The best way to build an audience today is through blogs, podcasts, and social networking, and if you’re working with most traditional publishers, you’re really on your own. I’d been writing a nutrition blog for NutritionData.com for a couple of years, and was interested in exploring the podcast format. I started trying to get up to speed on the various aspects: recording, editing, distribution, etc. It was a little overwhelming. But just then, I was introduced to the Quick and Dirty Tips (QDT)  publishers, who, as it happened, were looking for someone to host a podcast on nutrition.  It was perfect timing—and a good match. 

What podcasts do you listen to?

I listen to most of the QDT podcasts: Digital Marketer, Get-It-Done Guy, Grammar Girl, etc. I also listen to Wait Wait Don’t Tell Me!, This American Life, Onion News, OperaNow!, and ArsAntiquaPresents.  I used to love Jason Van Orden’s Podcasting Underground, but I think he’s discontinued that.

Of all the nutrition myths we've told ourselves, which do you think is the most dangerous?

There are so MANY! It wasn’t my intention to do a podcast that focused on nutrition myths but it’s getting to be a recurrent theme on the show.  I don’t know about dangerous, but this myth that eating more frequently speeds up your metabolism seems to be pretty entrenched. I was amazed at how many comments my show on that topic generated on the show’s website.  In general, the biggest myths seem to have to do with weight loss: that eating certain foods or certain combinations of foods or eating at certain times of day will make you gain or lose weight. Really, it mostly comes down to how much you eat.  Another big category of nutrition myths is the “super food” myth, that a certain berry, juice, seed, sprout, or whatever will cure all that ails you.  It’s just never that simple!

What's the most challenging part of putting together an episode of a podcast like yours that has so many elements (listener questions, actual research, etc.)?

Keeping it to five or six minutes is definitely the most challenging part. I’ve got a lot of say and its tough for me to keep the show topics focused.

Do people get worried when they realize they're going to go out to lunch or dinner with you?

Yes, people do sometimes feel they have to apologize for whatever they’re about to order—I just order French fries right away, to put everyone at ease! Seriously, I’m really pretty easy-going about food.  I enjoy treats as much as the next person.   I guess I live by a sort of 90% rule:  If 90% of your diet is wholesome, balanced, and nutritious, it’s okay to relax a bit with the other 10%.

We are a nation of crummy eaters, as evidenced by the obesity rate and the state of most companies' vending machines. Does knowing this depress you? Or do you see a glimmer of hope for us despite it all?

It’s funny; because of what I do, I feel like I’m surrounded by people who care a lot about health and nutrition and try to live healthy lives, so my personal experience is a little skewed. When I’m at the gym, or at the farmer’s market, or on a hiking trail, I see people all around me making healthy choices. If I hung out at the mall, I guess I’d see something different. But I know that what you’re describing is the reality. I don’t know if it depresses me as much as concerns me. I don’t know how we’re going to pay for the consequences of these behaviors in terms of health care costs and lost productivity.  I hold on to some optimism that the tide really is changing and that more and more people are prioritizing health and nutrition.

 

If you’re not familiar with Reinagel’s podcasts, she recommends getting started with her show on metabolism myths, which you can find here. Thanks, Monica!

Tuesday, March 3, 2009

Download This: Jenna Fischer, The Sound of Young America


I am not generally a fan of the celebrity interview. In magazines, the stories inevitably spend three hundred words discussing the meaning of the arugula salad the star ordered during the interview lunch. And the most we get from red carpet interviews is puffery about how great it was to work with X, Y, and Z on project ABC.

Yawn.

So I was a little skeptical when I fired up the most recent Sound of Young America podcast with Jenna Fischer, better known as The Office's Pam Beesly. But host Jesse Thorn rarely disappoints with his smart questions and unmatched preparation, and Jenna Fischer was thoughtful, well-spoken, and honestly (not annoyingly and fakely) humble.

The details of her first acting gig in Los Angeles, a training video created for the UCLA Medical Center for mental patients (around minute 6 or 7), is priceless. As Thorn notes wryly, "When you got this gig, did you realize at the time that you were performing a parody of an actor's first gig?"

If you want to get an inside look at what it was like to audition for The Office, what those early days were like, and why we should give well paid stars an occasional break, listen to this podcast.

I promise that you will like both Thorn and Fischer more than you did at the beginning of the podcast. And there is not a single mention of arugula. (Though cheese fountains get a mention.)




Sunday, March 1, 2009

Planet Money Review: The Best Thing To Come Out of the Economic Crisis


Planet Money got its start late last summer, just before the stock market began its staggering meltdown. It came not a moment too soon.

Macroeconomics is a tricky topic to make interesting, but when our country's collective 401(k) balances circled down the drain, our homes' values crumbled, and pink slips got passed out faster than paychecks, people needed—and wanted—an education.

What's remarkable about Planet Money is how good it was right off the bat. Most public radio shows meet a basic level of competence, but this one was never short of astonishing. While somehow keeping abreast of the economic news that changed minute-to-minute, the show has broken down and explained everything from credit default swaps to deflation in a way that's easy to understand.

Every 30-minute show features a Planet Money indicator. It's a number that could something obvious, like unemployment statistics. It might also be something wacky, like the decreasing availability of sawdust for composting toilets. (Only on public radio, right?) Either way, it's always an interesting snapshot of what's happening to us, both as individuals and as a global economy.

Planet Money has gained a ton of credibility during the past 6 months. They've broken big news about the bank bailout and they've been featured at least twice on This American Life. They recently scored an interview with Treasury Secretary Tim Geithner. Sound boring? Well, for money folks, Planet Money getting Tim Geithner on the show is something akin to an upstart teeny-bopper blog getting a sit-down interview with the Jonas Brothers.

What's even more delightful about the show is how un-stuffy it feels. In the lead-in to the Tim Geithner show, the hosts talked about how the NPR offices were all atwitter for the interview. Host Adam Davidson admitted they were so confident that they wouldn't get an interview with the top dog at the Treasury that they didn't even bother asking for him, but for an underling. When the administration offered up Geithner, they all practically had heart attacks. Everybody was listening in on headphones, ready to pull a sound bite and put it on air as breaking news. 

The great thing about the podcast is that you feel like you're sitting in on their conversation, not being provided a packaged show all wrapped up in a ribbon. You may not feel a lot better by the end of the show, but you will feel like you're getting a better handle on this whole mess.

And as everything around us seems to be worth an awful lot less money, this podcast is one thing that's proved to be invaluable.

Transcribed: I Sure Hope So


When Adam Carolla fired up his new podcast last week (and a million listeners downloaded the show almost immediately, vaulting the show straight to the top of iTunes), his first few episodes were exactly the kind of the stuff people have come to expect from him. When he had ESPN Sports Guy columnist Bill Simmons on the show on Friday, they swapped stories about strippers, bachelor parties, and Brokeback-themed movies.

At the very end -- you might have missed it while Carolla was riffing on adultery and lawn mowers -- he asked Simmons, with just a touch of anxiety, about the future of podcasting. Simmons, a podcast veteran whose show, The B.S. Report with Bill Simmons, gets a half million downloads a week, had this to say about what's next with the medium.

It's going to kill satellite radio, because within three years, people are going to have internet in their cars and you'll just be able to queue whatever you want to listen to up. And then people are going to get more sophisticated with how they download them.

I'm finding out that with my podcast. People listen to it on commutes, they listen to it when they're working out, they listen to it at their desk, they listen to it in class when they're pretending to listen to the teacher. So we're already seeing that. It's something you take anywhere you go. I just think that it reminds me of the Internet in the late ’90s, where as people become more sophisticated about how to get them and downoad them and listen to them, it's just going to keep going.

The Adam Carolla Podcast, 2.27.09

Podcasting has come a long way in the past few years, but it still has a long way to go. I hope Simmons is exactly right.